Education Poster Details
In the upper third of the poster there are
depictions of Noah's Ark, Hey Diddle-Diddle's cow
jumping over the moon, Sir Arthur preparing to
remove the magic sword from the rock, a dragon
coming to maraud a castle surrounded by a huge moat,
and a rainbow with a pot of gold at one or the other
end (you pick). Racing up the path in this segment
of the poster, you can see the dish running away
with the spoon while the Three Blind Mice look on.
In the lower left corner of this segment sits the
gingerbread house decked out with icing, candy
canes, and jelly beans. Looking closely, you can see
the Navajo sign for rain just above Noah's Ark, and
the New Mexico state flag flying atop one of the
castle's buttresses (this flag denotes one of the
four states Michael has lived in; the other flags
are included as well).
The center third of the poster includes Goldie Locks running
from Papa Bear while Mama Bear and Baby Bear look on.
Michael used an outline of California for the door to the
Bear's home, and its window is the California state flag.
Next, you can see a teepee (typically used by the Plains
Indians) that is decorated with some icons and fetishes
common to the Indians of the Southwest--remember, Michael
was only 14 when he did the artwork for this poster. Note
also that Jack and Jill stand before a wishing well that is
labeled "To Bahzna Azhi" which is Michael's Navajo clan
name. In English the name means "Two Who Come to Water." It
is aptly placed in front of the famous nursery rhyme twosome
who've come to fetch a pail of water. At my behest Michael
included a lovely representation of the Hopi Storyteller
with some half-dozen children clinging to her. She is the
revered repository of Hopi wisdom, history, and stories.
With a nod to Irish folklore, there is a leprechaun hiding
alongside Humpty Dumpty's wall. And, last, the Gingerbread
Man is shown dashing down the path toward the bottom panel.
In the bottom portion of the poster you can see the shoe
occupied by the old woman and her too-many children. Note
Colorado's state flag flying proudly from the shoe's chimney
(who knew a shoe could have a chimney?).
Next, notice Hey Diddle-Diddle's cat lovingly serenading
Rapunzel with his fiddle. Arizona's state flag flies atop
her castle. Nestled in here, you can see Little Bo-Peep who
has evidently found her sheep. Notice the shepherd's crook
in her right hand. Beneath Rapunzel, who is sporting a pair
of ultra-hip sunglasses, you can see the "Start" line for
the race between The Tortoise and The Hare. You'll also see
Little Red Riding Hood facing the wolf just a second before
he ducks back into his hiding place.
In the center of this panel, Michael has identified his four
Native American bloodlines: Navajo, Pueblo, Sioux, and
Isleta. Notice the New Mexico Zia icon rising just behind
the rock. And, finally, be sure to catch the Kokopelli
celebrating it all on his flute.
This colorful poster expresses the true power of
stories and songs - the very essence of how our
lives and characters are formed from within by the
tales, poems, and songs that tell us who we are.
Passionate English teachers everywhere already know
this. Others intuit it. This poster celebrates it.
The original artwork was designed by a ninth grade
student at Hermosa Jr. High School in Farmington,
New Mexico under the tutelage and inspiration of his
teacher, Vicki Whitaker. The poster contains fun
images depicting characters and situations from
famous fairy tales, nursery rhymes, and short
stories. This poster is equally at home in a
classroom, a child's bedroom, a library, an
administrator's office, or a museum. We know you'll
find the perfect place for it yourself.
The poster reads:
"It is through the naming of objects, the
telling of stories, and the singing of songs
that we know ourselves and others. Whether
trickster tales or nursery rhymes are the
first things we remember hearing, we have
learned how to live our lives by means of
narrative --
the stories our mothers
told us, the books our brothers and
sisters read to us (and the volumes we chose
to read to them), the holy books and
textbooks we memorized as children and still
recall with perfect clarity.
By these
means we develop -- however weakly or
strongly -- our mo5ral natures; we discover
who we are and who we are not, what we would
give anything to be and precisely what we
would be willing to sacrifice to gain that
prize. We need stories and songs to live
fully."
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